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Taan (Hindi: तान, Urdu: تان) is a technique used in the vocal performance of a raga in Hindustani classical music.It involves the improvisation of very rapid melodic passages using vowels, often the long "a" as in the word "far", and it targets at improvising and to expand weaving together the notes in a fast tempo.
"Jazba-e-Junoon" (Urdu: جذبہ جنوں, literal English translation: "the spirit of passion") is a song by the Pakistani sufi rock band Junoon.It is the thirteenth and final track from the band's album third album, Inquilaab (1996), released on EMI Records.
The song marked Junoon's foray into what later became the sufi rock sound that the band is most popularly associated with. The song uses blending rock guitars and bluesy vocals with eastern elements like the use of tablas (traditional south Asian hand drums), raga-inspired melodies, traditional Pakistani folk music , and Eastern inspired poetry.
In Urdu, there is further short [a] (spelled ہ, as in کمرہ kamra) in word-final position, which contrasts with [aː] (spelled ا, as in لڑکا laṛkā). This contrast is often not realized by Urdu speakers, and always neutralized in Hindi (where both sounds uniformly correspond to [aː] ).
"Bulleya" (Urdu: بللیہ transl. Oh! Bulleh Shah) is a song by the Pakistani sufi rock band Junoon, released in 1999. It is the first track from the band's fifth album, Parvaaz (1999), recorded at Abbey Road Studios, London and released on EMI Records. The song is a famous kafi written by the sufi saint Bulleh Shah.
The songs that follow after are carefully composed and it seems that EP strictly means business. On the whole "Irtiqa" is not just a music album, it's a concept, it's a theme and not many musicians in Pakistan making music is based on a specific theme or subject and be able to maintain that theme throughout the album but not just in a single song.
Deccani retains some features of medieval Hindustani that have disappeared in contemporary Hindi-Urdu. It is also distinguished by grammar and vocabulary influences from Marathi, Kannada, and Telugu, due to its prolonged use as a lingua franca in the Deccan. [36] Below is a non-exhaustive list of its unique features, with standard Urdu equivalents:
"Isolation" is a song that contains elements of synth-pop and electronic music and lasts for a duration of two minutes and fifty-two seconds. [2] [3] According to the sheet music published at Musicnotes.com by Universal Music Publishing Group, it is written in the time signature of common time, with a tempo of 148 beats per minute. [2] "