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A parody is a creative work designed to imitate, comment on, and/or mock its subject by means of satirical or ironic imitation.Often its subject is an original work or some aspect of it (theme/content, author, style, etc), but a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g. the French Revolution or 1960s counterculture).
A pastiche combining elements of paintings by Pollaiuolo and Botticelli (Portrait of a Woman and Portrait of a Young Woman [it; fr; es] respectively), using Photoshop. A pastiche (/ p æ ˈ s t iː ʃ, p ɑː-/) [1] [2] is a work of visual art, literature, theatre, music, or architecture that imitates the style or character of the work of one or more other artists. [3]
In contemporary usage, parody is a form of satire that imitates another work of art in order to ridicule it. Parody exists in all art media, including literature , music and cinema . Subcategories
Parody is found in a range of art and culture, including literature, music, theater, television, animation, and gaming. The first film parody was The Little Train Robbery (1905), which makes fun of The Great Train Robbery (1903), in part by using an all-child cast for the Western spoof.
In Japanese art, mitate-e (見立絵) is a subgenre of ukiyo-e that employs allusions, puns, and incongruities, often to parody classical art or events. The term derives from two roots: mitateru (見立る, "to liken one thing to another") [a] and e (絵, "picture").
Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of exposing or shaming the perceived flaws of individuals, corporations, government, or society itself into improvement. [1]
Burlesque overlaps with caricature, parody and travesty, and, in its theatrical form, with extravaganza, as presented during the Victorian era. [4] The word "burlesque" has been used in English in this literary and theatrical sense since the late 17th century.
In parody, as the Court explained, the transformativeness is the new insight that readers, listeners, or viewers gain from the parodic treatment of the original work. As the Court pointed out, the words of the parody "derisively demonstrat[e] how bland and banal the Orbison [Pretty Woman] song" is.