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Sometimes called the "Doo-Dah Man" (after a lyric in "Truckin'"), it was originally drawn as a skeleton, but then rendered bodyless, except for smiling teeth and a pair of eyes. [13] It became one of the many icons associated with the Grateful Dead, appearing in all manner of official and fan-produced art.
Refer to the subject "Keep on Truckin' (comic)" elsewhere in Wikipedia. The "DooDah Man" was a character drawn by the underground comic artist R Crumb. A picture of the DooDah man is shown to the right side, but not identified as such. R Crumb's DooDah man was a popular counter-cultural icon in the late 60s and early 70s.
"Truckin '" is associated with the blues and other early 20th-century forms of folk music. [6]"Truckin '" was considered a "catchy shuffle" by the band members. [7] Garcia commented that "the early stuff we wrote that we tried to set to music was stiff because it wasn't really meant to be sung... the result of [lyricist Robert Hunter getting into our touring world], the better he could write ...
It should only contain pages that are Grateful Dead songs or lists of Grateful Dead songs, as well as subcategories containing those things (themselves set categories). Topics about Grateful Dead songs in general should be placed in relevant topic categories .
Grateful Dead lineups Timespan Members, instruments June 1965 – September 1967 Jerry Garcia – lead guitar, vocals; Bob Weir – rhythm guitar, vocals; Ron "Pigpen" McKernan – keyboards, harmonica, percussion, vocals; Phil Lesh – bass, vocals; Bill Kreutzmann – drums; September 1967 – November 1968 Jerry Garcia – lead guitar, vocals
William Kreutzmann Jr. (/ ˈ k r ɔɪ t s m ɑː n / KROYTS-mahn; [1] born May 7, 1946) [2] is an American drummer and founding member of the rock band Grateful Dead.He played with the band for its entire thirty-year career, usually alongside fellow drummer Mickey Hart, and has continued to perform with former members of the Grateful Dead in various lineups, and with his own bands BK3, 7 ...
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On March 2, 1969, the Grateful Dead played "Death Don't Have No Mercy" again at the Fillmore West as a "sprawling, electrified ten-minute-plus version", as described by Zack. [40] In this performance, the band plays an extended instrumental improvisation before Garcia sings in a livelier, more demonstrative manner.