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Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism.
The Nightmare (1781), by Johann Heinrich Füssli, Detroit Institute of Arts, Detroit. Symbolism, understood as a means of expression of the "symbol", that is, of a type of content, whether written, sonorous or plastic, whose purpose is to transcend matter to signify a superior order of intangible elements, has always existed in art as a human manifestation, one of whose qualities has always ...
Religious symbol, an iconic representation of a religion or religious concept Buddhist symbolism, the use of Buddhist art to represent certain aspects of dharma; Christian symbolism, the use of symbols, including archetypes, acts, artwork or events, by Christianity; Symbols of Islam, the use of symbols in Islamic literature, art and architecture
Ornamental or decorative art can usually be analysed into a number of different elements, which can be called motifs. These may often, as in textile art, be repeated many times in a pattern. Important examples in Western art include acanthus, egg and dart, [2] and various types of scrollwork.
Symbols can be natural, cultural, or abstract and logical. They depend as signs on how they will be interpreted, and lack or have lost dependence on resemblance and actual, indexical connection to their represented objects, though the symbol's individual embodiment is an index to your experience of its represented object.
Pictograms can be considered an art form, or can be considered a written language and are designated as such in Pre-Columbian art, Native American art, Ancient Mesopotamia and Painting in the Americas before Colonization. [4] [5] One example of many is the Rock art of the Chumash people, part of the Native American history of California.
A symbol is a mark, sign, or word that indicates, ... fine art, and prominent awards indicate answers to questions of "better or worse" and "superior or inferior ...
Iconography as an academic art historical discipline developed in the nineteenth century in the works of scholars such as Adolphe Napoleon Didron (1806–1867), Anton Heinrich Springer (1825–1891), and Émile Mâle (1862–1954) [8] all specialists in Christian religious art, which was the main focus of study in this period, in which French ...