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Gerald Gutierrez (February 3, 1950 – December 29, 2003) was an American Tony Award-winning stage director. He was born and died in Brooklyn, New York . Career
1930: Cinematographer Conrad Wells, director Kenneth Hawks, six other crew members and two pilots were killed in a two-plane collision off the Santa Monica coast while filming aerial scenes for the film Such Men Are Dangerous. [9] 1931: Acrobat Lillian Leitzel died after falling from her rigging during a performance in Copenhagen.
Robert Wilson (born October 4, 1941) is an American experimental theater stage director and playwright who has been described by The New York Times as "[America]'s – or even the world's – foremost vanguard 'theater artist. ' " [1] He has also worked as a choreographer, performer, painter, sculptor, video artist, and sound and lighting designer.
Lindsay Gordon Anderson (17 April 1923 – 30 August 1994) [1] was a British feature-film, theatre and documentary director, film critic, and leading light of the Free Cinema movement and of the British New Wave.
Frank Joseph Galati (November 29, 1943 – January 2, 2023) was an American director, writer, and actor. He was a member of Steppenwolf Theatre Company and an associate director at Goodman Theatre. He taught at Northwestern University for many years.
Stuart Alan Gordon (August 11, 1947 – March 24, 2020) was an American filmmaker, theatre director, screenwriter, and playwright. [3] Initially recognized for his provocative and frequently controversial work in experimental theatre, Gordon began directing films in 1985.
Rudman's career began at the Nottingham Playhouse in 1964, where he was an assistant director and, later, associate producer. He went on to become director of the Traverse Theatre in Edinburgh from 1970 to 1973, after which he took up the post of artistic director at Hampstead Theatre until 1978.
His book The Presence of The Actor was first published in 1972 by Theatre Communications Group, and a second edition followed in 1991. Based on his experiments with actors, the book includes exemplar notes, photographs, and exercises from Open Theatre productions, and records Chaikin's ideas about theater as a tool for social transformation.