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The Water of Life Discourse between Jesus and the Samaritan Woman at the Well by Angelika Kauffmann, 17th–18th century. The Samaritan woman at the well is a figure from the Gospel of John. John 4:4–42 relates her conversation with Jesus at Jacob's Well near the city of Sychar.
Orthodox icon of Photina, the Samaritan woman, meeting Jesus by the well. The in-depth account about Jesus and the Samaritan Woman at the Well is highly significant for understanding Jesus in several relationships: Samaritans, women, and sinners. By talking openly with this woman, Jesus crossed a number of barriers which normally would have ...
Christ and the Samaritan Woman at the Well is a painting in oils on canvas of 1796 by Angelica Kauffman, depicting the eponymous Gospel passage.It was bought from the artist's estate in 1829 by Louis I of Bavaria and remained in the House of Wittelsbach until it was transferred to the Wittelsbacher Ausgleichsfonds in 1926; it then passed to the State of Bavaria in 1938.
Jesus held women personally responsible for their own behavior as seen in his dealings with the woman at the well (John 4:16–18), the woman taken in adultery (John 8:10–11), and the sinful woman who anointed his feet (Luke 7:44–50 and the other three gospels). Jesus dealt with each as having the personal freedom and enough self ...
Salome #2 – a follower of Jesus present at his crucifixion as well as the empty tomb. Mark [175] Samaritan woman at the well, or Photine is a well known figure from the Gospel of John; Sapphira – Acts [176] Sarah #1 – wife of Abraham and the mother of Isaac. Her name was originally "Sarai".
Gilbert Bilezikian, in his book Beyond Sex Roles—What the Bible Says About a Woman's Place in Church and Family, [159] argues that the New Testament contains evidence of women apostles, [160] prophets, [161] teachers, [162] deacons, [163] and administrators. [164]
This agrees with verse 16 which states, that the woman "Satan had kept bound for eighteen long years." In the same manner the devil afflicted Job with various diseases (Job 2, see also Ps. 78:49 [2]). He further writes that, "the devil, therefore, made this woman crooked and bent, to compel her always to look down upon the earth." [3]
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
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