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The Art of Fugue by Johann Sebastian Bach is in D minor. Michael Haydn's only minor-key symphony, No. 29, is in D minor. According to Alfred Einstein, the history of tuning has led D minor to be associated with counterpoint and chromaticism (for example, the chromatic fourth), and cites Bach's Chromatic Fantasia and Fugue, BWV 903, in D minor. [1]
For example, F major and D minor both have one flat in their key signature at B♭; therefore, D minor is the relative minor of F major, and conversely F major is the relative major of D minor. The tonic of the relative minor is the sixth scale degree of the major scale, while the tonic of the relative major is the third degree of the minor ...
Going counter-clockwise from C results in lowering the fourth scale degree with each successive key (starting on F requires a B ♭ to form a major scale). Each major key has a relative minor key that shares the same key signature. The relative minor is always a minor third lower than its relative major.
The key is also appropriate for guitar music, with drop D tuning making two D's available as open strings. [1] For some beginning wind instrument students, however, D major is not a very suitable key, since it transposes to E major on B ♭ wind instruments, and beginning methods generally tend to avoid keys with more than three sharps.
D minor (iv) E minor (v) F major (VI) G major (VII) Another view of closely related keys is that there are six closely related keys, based on the tonic and the remaining triads of the diatonic scale, excluding the dissonant diminished triads. [7] Four of the six differ by one accidental, one has the same key signature, and one uses the parallel ...
Since the natural minor scale is built on the 6th degree of the major scale, the tonic of the relative minor is a major sixth above the tonic of the major scale. For instance, B minor is the relative minor of D major because the note B is a major sixth above D. As a result, the key signatures of B minor and D major both have two sharps (F ...
The hallmark that distinguishes major keys from minor is whether the third scale degree is major or minor. Major and minor keys are based on the corresponding scales, and the tonic triad of those keys consist of the corresponding chords; however, a major key can encompass minor chords based on other roots, and vice versa.
Its parallel minor, D-flat minor, is usually replaced by C-sharp minor, since D-flat minor features a B (B-double-flat) in its key signature making it less convenient to use. C-sharp major , the enharmonic equivalent to D-flat major, has seven sharps, whereas D-flat major only has five flats; thus D-flat major is often used as the parallel ...