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Haiku originated as an opening part of a larger Japanese genre of poetry called renga. These haiku written as an opening stanza were known as hokku and over time they began to be written as stand-alone poems. Haiku was given its current name by the Japanese writer Masaoka Shiki at the end of the 19th century. [4]
Matsuo Bashō's poetry is internationally renowned, and, in Japan, many of his poems are reproduced on monuments and traditional sites. Although Bashō is famous in the West for his hokku, he himself believed his best work lay in leading and participating in renku. As he himself said, "Many of my followers can write hokku as well as I can.
She is widely regarded as one of the greatest poets of haiku (then called hokku). Some of Chiyo's most notable works include "The Morning Glory", "Putting up my hair", and "Again the women". Being one of the few women haiku poets in pre-modern Japanese literature, Chiyo-ni has been seen an influential figure. Before her time, haiku by women ...
The following is a list of Japanese-language poets. Poets are listed alphabetically by surname (or by a widely known name, such as a pen name, with multiple names for the same poet listed separately if both are notable). Small groups of poets and articles on families of poets are listed separately, below, as are haiku masters (also in the main ...
During the Kojiki and Nihonshoki periods the tanka retained a well defined form, but the history of the mutations of the tanka itself forms an important chapter in haiku history, [7] until the modern revival of tanka began with several poets who began to publish literary magazines, gathering their friends and disciples as contributors.
The famous novelist Ihara Saikaku was one of many people not normally associated with either poetry or painting, who took part. By contrast, the nanga painter Yosa Buson, widely considered second only to Bashō as a master of haiku, is said to be "the only artist to be included in surveys both of great poets and great painters in Japanese ...
Comparing Kikaku's paired haiku in 'The Rustic Haiku Contest', Bashō remarked of one that "these are artifices within a work of art; too much craft has been expended here". [6] One day, Kikaku composed a haiku, Red dragonfly / break off its wings / Sour cherry. which Bashō changed to, Sour cherry / add wings to it / Red dragonfly;
The following poem is a typical example of Santōka's work: What, even my straw hat has started leaking 笠も漏り出したか kasa mo moridashita ka. This poem exhibits two major features of free verse haiku: It is a single utterance that cannot be subdivided into a 5-7-5 syllable structure, and; It does not contain a season word.