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Self-portraiture, or Autoportraiture is the field of art theory and history that studies the history, means of production, circulation, reception, forms, and meanings of self-portraits. [ 1 ] [ 2 ] [ 3 ] Emerging in Antiquity and becoming popular from the Renaissance as an artistic practice, as a specific field of study, self-portraiture is ...
A self-portrait of a colorless, but youthful, rounded oval face, in full-frontal view, emerges from a reddish-brown, textured, but indistinct background; the eyes of the face are open but the body belonging to the face is abstract, blurred by pencil strokes and the color of sepia ink; [1] the clothing worn by the subject is indistinguishable as it dissolves into the background with each pencil ...
A painting by Parmigianino in 1524 Self-portrait in a mirror, demonstrates the phenomenon. Mirrors permit surprising compositions like the Triple self-portrait by Johannes Gumpp (1646), or more recently that of Salvador Dalí shown from the back painting his wife, Gala (1972–73). This use of the mirror often results in right-handed painters ...
This category is about Self-portraiture, or Autoportraiture: field of art theory and history that studies the history, means of production, circulation, reception, forms, and meanings of self-portraits
Self-Portrait (Ingres) Self-Portrait (Lampi) Self-Portrait Aged 24; Self-Portrait Aged 71; Self-Portrait as a Female Martyr; Self-Portrait as a Soldier; Self-Portrait as a Tahitian; Self-portrait as David; Self-Portrait as the Allegory of Painting; Self-Portrait at 6th Wedding Anniversary; Self-Portrait at 69 years; Self-Portrait at a Spinet ...
Self-portrait of Smith (c.1680), Worcester Art Museum Unknown man, oil on canvas, from 17th century colonial America, attributed to Thomas Smith. Thomas Smith (c. 1650 –1691) was an artist, sailor and slave trader in colonial New England.
Self-Portrait or Portrait of an Old Man is an oil-on-canvas painting by El Greco, likely dating to between 1595 and 1600.The work's distinction as a self-portrait has been widely debated by scholars for over a century.
There are many examples of women artists under deleterious marital influence in the history of art, and one of them is illustrated in painting by the self-portrait of Maria Cosway made in 1787. Trained in Italy , Maria Luisa Caterina Cecilia Hadfield made a first portrait on a traditional model.