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When sensorineural hearing loss (damage to the cochlea or in the brain) is present, the perception of loudness is altered. Sounds at low levels (often perceived by those without hearing loss as relatively quiet) are no longer audible to the hearing impaired, but sounds at high levels often are perceived as having the same loudness as they would for an unimpaired listener.
Sound spectrum: High frequencies are more quickly damped by the air than low frequencies. Therefore, a distant sound source sounds more muffled than a close one, because the high frequencies are attenuated. For sound with a known spectrum (e.g. speech) the distance can be estimated roughly with the help of the perceived sound.
The low-frequency effects (LFE) channel is a band-limited audio track that is used for reproducing deep and intense low-frequency sounds in the 3–120 Hz frequency range. [1] [2] [3] [4]
The name was given because the sound slowly decreases in frequency over about seven minutes. It was recorded using an autonomous hydrophone array. [8] The sound has been picked up several times each year since 1997. [9] One of the hypotheses on the origin of the sound is moving ice in Antarctica. Sound spectrograms of vibrations caused by ...
Sonority is loosely defined as the loudness of speech sounds relative to other sounds of the same pitch, length and stress, [1] therefore sonority is often related to rankings for phones to their amplitude. [2] For example, pronouncing the vowel [a] will produce a louder sound than the stop [t], so [a] would
Infrasound, sometimes referred to as low frequency sound or subsonic, describes sound waves with a frequency below the lower limit of human audibility ...
Most rooms have their fundamental resonances in the 20 Hz to 200 Hz region, each frequency being related to one or more of the room's dimensions or a divisor thereof. These resonances affect the low-frequency low-mid-frequency response of a sound system in the room and are one of the biggest obstacles to accurate sound reproduction.
Vocal fry is also used in metal music, usually in combination with air from the diaphragm, [citation needed] in order to create a "growl" or "scream", which sounds aggressive and harsh. [22] The chief use of the vocal fry register in singing is to obtain pitches of very low frequency, which are not available to the singer in the modal register.