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This is an accepted version of this page This is the latest accepted revision, reviewed on 3 December 2024. American cartoonist and author (born 1929) Jules Feiffer Feiffer in 2018 Born (1929-01-26) January 26, 1929 (age 95) New York City, U.S. Area(s) Cartoonist, author, playwright, screenwriter Notable works Feiffer (comic strip), Carnal Knowledge, Little Murders, Munro, The Phantom ...
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Cartoonist and satirist Jules Feiffer wrote in The Great Comic Book Heroes (1965) that "the single unique stroke in the pre Detective Comics days was the creation, by Sheldon Mayer, of the humor strip Scribbly — an underrated, often brilliantly wild cartoon about a boy cartoonist with whom, needless to say, I identified like mad. I regret ...
Bark, George is a 1999 children's book written and illustrated by author, cartoonist and playwright Jules Feiffer, and published by Michael di Capua Books. [2] [3] It was listed as ninth overall in a list of the "Top 100 Picture Books" of all time in a 2012 poll by School Library Journal. [4]
The multi-hyphenate cartoonist and author spoke to PEOPLE ahead of the release of his new graphic novel, 'Amazing Grapes'
The Steranko History of Comics was one of several works published from the mid-1960s to early 1970s on the history of comics, science fiction, pulp fiction, and other adjacent mediums that were produced in recognition of the largely uncodified history of those mediums; notable examples include Seekers of Tomorrow (1965) by Sam Moskowitz, Great Comic Book Heroes (1965) by Jules Feiffer, and All ...
March 4: The final episode of Jules Feiffer's gag comic Clifford is published. [1] March 5: Malang is sued by the Filipino police for defamation over a cartoon ridiculing them. [2] March 12: Hank Ketcham's Dennis the Menace makes its debut. [3] David Law's Dennis the Menace and Gnasher makes its debut in The Beano. [4]
In late 1939, Everett M. "Busy" Arnold, publisher of the Quality Comics comic-book line, began exploring an expansion into newspaper Sunday supplements, aware that many newspapers felt they had to compete with the suddenly burgeoning new medium of American comic books, as exemplified by the Chicago Tribune Comic Book, premiering two months before "The Spirit Section". [3]