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The naming of individual Cs using the Helmholtz system. Helmholtz pitch notation is a system for naming musical notes of the Western chromatic scale.Fully described and normalized by the German scientist Hermann von Helmholtz, it uses a combination of upper and lower case letters (A to G), [a] and the sub- and super-prime symbols ( ͵ ′ or ⸜ ⸝) to denote each individual note of the scale.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
In that regard, a musical permutation is a combinatorial permutation from mathematics as it applies to music. Permutations are in no way limited to the twelve-tone serial and atonal musics, but are just as well utilized in tonal melodies especially during the 20th and 21st centuries, notably in Rachmaninoff 's Variations on the Theme of ...
Theme and some possible divisions. In music, division (also called diminution or coloration) [clarification needed] refers to a type of ornamentation or variation common in 16th- and 17th-century music [1] [irrelevant citation] in which each note of a melodic line is "divided" into several shorter, faster-moving notes, often by a rhythmic repetition of a simple musical device such as the trill ...
1973 6-14 6-14 all-interval, RT6-invariant I: 0 e 8 t 3 7 1 9 4 2 5 6: P: 0 1 4 3 2 5 6 9 8 7 t e: 1 3 1 1 3 1 3 1 1 3 1: Play ⓘ: Anton Webern
Variation is often contrasted with musical development, which is a slightly different means to the same end. Variation depends upon one type of presentation at a time, while development is carried out upon portions of material treated in many different presentations and combinations at a time. [1]
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[1] Retrograde reverses the order of the motif's pitches: what was the first pitch becomes the last, and vice versa. [2] This is a technique used in music, specifically in twelve-tone technique , where the inversion and retrograde techniques are performed on the same tone row successively, "[t]he inversion of the prime series in reverse order ...