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The triumphal entry into Jerusalem is a narrative in the four canonical Gospels describing the arrival of Jesus in Jerusalem a few days before his crucifixion. This event is celebrated each year by Christians on Palm Sunday. According to the gospels, Jesus arrived in Jerusalem to celebrate Passover, entering the city riding a donkey.
John 12 is the twelfth chapter of the Gospel of John in the New Testament of the Christian Bible.It narrates an anointing of Jesus' feet, attributed to Mary of Bethany, as well as an account of the triumphal entry of Jesus Christ into Jerusalem. [1]
The triumphal entry of Jesus into Jerusalem is narrated in Matthew 21:1–11, Mark 11:1–11, Luke 19:28–44 and John 12:12–19. The following comparison is primarily based on the New International Version (NIV): [1]
commemorates Christ's triumphal entry into Jerusalem; first day in Holy Week: Observances: Church attendance, blessing and distribution of palms, church processions, weaving palm crosses, hanging palm branches obtained from church liturgies behind Christian artwork or placing palm branches in Bibles and daily devotional books: Date
Christ's Entry Into Brussels in 1889 (French: L'Entrée du Christ à Bruxelles, "Entry of Christ into Brussels") is an 1888 painting by the Belgian artist James Ensor.The post-Impressionist work, parodying Jesus' triumphal entry into Jerusalem celebrated on Palm Sunday, is considered Ensor's most famous composition and a precursor to Expressionism.
Entry of Christ into Jerusalem can refer to the following: Triumphal entry into Jerusalem; Entry of Christ into Jerusalem (Master of Taüll), ...
Changing water into wine at Cana in John 2:1–11 – "the first of the signs" Healing the royal official's son in Capernaum in John 4:46–54; Healing the paralytic at Bethesda in John 5:1–15; Feeding the 5000 in John 6:5–14; Jesus walking on water in John 6:16–24; Healing the man blind from birth in John 9:1–7; The raising of Lazarus ...
The Triumphal entry into Jerusalem is part of the life of Jesus Christ. It was a common theme used by painters of early Christianity. Both Greek and Italian Byzantine artists pictorially represented the story. The theme was adopted by Proto-Renaissance painters. Both Giotto and Duccio presented the subject matter.
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