Search results
Results from the WOW.Com Content Network
"You Know I Love You" is a song written and recorded by B.B. King. Released on RPM Records in 1952, it was King's second No. 1 single on the Billboard R&B chart. [1] [2] King's friend and collaborator Ike Turner played piano on the original recording. [3] The song was included on King's debut album Singin' The Blues in 1957. [4]
Deuces Wild is the thirty-fifth studio album by B.B. King released on November 4, 1997. Every song on the album features a second famous musician. Every song on the album features a second famous musician.
Riley B. King (September 16, 1925 – May 14, 2015), known professionally as B. B. King, was an American blues guitarist, singer, songwriter, and record producer. He introduced a sophisticated style of soloing based on fluid string bending , shimmering vibrato , and staccato picking that influenced many later electric guitar blues players.
B. B. King (1925–2015) was an American blues musician whose recording career spanned 1949–2008. As with other blues contemporaries, King's material was primarily released on singles until the late 1950s–early 1960s, when long playing record albums became more popular.
The song was released shortly after King's Paramount release "How Blue Can You Get" in 1964 and reached number 34 in the Billboard Hot 100. [9] [a] "Rock Me Baby" was the first of six B.B. King records to reach the Top 40. [9] In 1997, King re-recorded the song with Eric Clapton for the album Deuces Wild.
Riding with the King was the first collaborative album by Eric Clapton and B.B. King. [1] [2] They performed together for the first time at Cafe Au Go Go in New York City in 1967 when Clapton was 22 and a member of Cream, but did not record together until 1997 when King collaborated with Clapton on the song "Rock Me Baby" for his duets album, Deuces Wild.
"Nobody Loves Me But My Mother" (Riley King) "Sweet Sixteen" (Riley King, Joe Josea) "Rock Me Baby" (Riley King, Joe Josea) [4] Personnel. Bass Guitar – Michael Doster;
The song became a fixture in King's live shows [3] "with enough good punchlines for B.B. to keep it in his act for decades". [1] A live version of the song first appeared on the Live at the Regal album recorded in Chicago in 1964; [ 7 ] King prefaced it with "pay attention to the lyrics, not so much to my singing or the band".